Collider recently interview The Vampire Diaries writer/producer Kevin Williamson about the television series, season 3, the death of Jenna, and more.
Question: Why did you finally decide that it was the right time to have Damon (Ian Somerhalder) and Elena (Nina Dobrev) share a real kiss?
Kevin Williamson: Well, we would have pulled it off sooner, if we could have. We felt like it was time. We just had to wait for the audience to truly respond to the kiss. We have our Elena fans, who have been craving it, but those fans would also reject it, out of hand. There are people who want Stefan (Paul Wesley) and Elena forever, and they were going to reject the kiss, so it had to be an honest thing for Elena to do. We had to make it real for her, and we had to tiptoe towards it. If we hadn’t, you would have hated Elena. Stefan had to take that turn, so she turned her attention to the one person who’s showing her the love, and she’s tempted by him. Who wouldn’t be? He’s a vampire. He has a power over her, and he’s being really good to her. And, he’s being tormented by it, too. In a weird way, he’s never going to let anything bad happen to his brother.
It’s a great love story because everybody loves everybody. No matter how much they hate each other, everybody loves everybody. It’s a perfect three-way, if they would all just come together. If they could all get along, it would be a hot time. Look, we’re in our third season. I don’t think we have a lot of new audience members, at this point. It is our fans. They’re the ones that are keeping us on the air. They’re our bread and butter. Even beyond that, we just want to be honest to the characters. You can’t just have Elena jump into bed with someone because that’s what the writer wants them to do. You have to earn it, and the character has to do it. It took us this long to earn it. From the second episode of this show, when she walked into the Salvatore mansion and she met Damon for the first time and he kissed her hand, that’s when it began. It just took us two and a half years to say, “I think they can kiss. We’ve earned it.”
How difficult of a line is it to walk with what you’re doing with Stefan and how far you can push it before he’s no longer redeemable?
Williamson: It’s hard because the sad part about it is that Stefan is such a man of character. He has such a good soul. And now, he’s taken this horrible turn, so no matter what he does, at this point, he’s never going to be able to forgive himself. So, if he can’t forgive himself, how can he ever expect forgiveness from a woman that loves him? He’s never going to be lovable again, in his eyes. He has such a journey. It’s so sad to watch because now he’s in tragic mode. He’s a true tragic hero, in the greatest sense, even more so now then Damon ever was. It is a fine line to walk, and I hope we’re playing it with just enough tragedy that the audience can hold onto him and nurture him, even though he does go down that terrible road. It is a tragic fall. I’m hoping it’s one of those situations where the audience will love him until he can learn to love himself again. That’s what’s happening. We love Damon and, every week, Damon was killing someone new. When he killed Lexi, I hated him after that, and it was my idea. I knew it would turn the audience against him.
When do you know it’s the right time to kill off one of your characters?
Williamson: Well, Lexi was a one-off. We brought her in for that birthday episode, and her purpose was to be a good friend and make Elena jealous, but ultimately impart on Elena that love is worth it. Epic love is worth epic risk, and that’s what she said to her. At the same time, she served a great purpose for Damon to throw the Council off his tracks. The good storylines start churning, and I just want to be surprising, all the time. I think, “If I do this, how would I earn it?,” and I have to backtrack and figure out the storyline and figure out how to do it. Luckily, it’s all in Julie Plec’s hands right now. How’s that for passing the buck? I’ve been working on my Fox pilot, so I haven’t been able to play as much as I’ve wanted to. Julie and I still talk at 4 o’clock in the morning. I go, “Who are you going to kill?” I’ve let her decide this year ‘cause I killed enough people. She called me up and said, “I think we’re not going to kill anybody,” and I said, “Oh, no. No, you’ve got to kill somebody.”
What storyline made you most concerned, but ended up being the most exciting for you to do?
Williamson: I didn’t want to kill Jenna. I did not want to kill Aunt Jenna. I still miss her. And Anna (Malese Jow), but I got to bring her back for a little while. But, Anna was probably the hardest call to make because I knew how much I loved her, and I was on Twitter every day then, so I knew the fans loved her. Part of me was like, “Kill her! The fans will get so excited by it, even if it’s not in a good way. They’ll get aggro.” I still hated doing it, though. Julie and I will sit in a room and talk the scenes out, and if she’s crying or I’m crying, we know we’re on to something.
Read more of the interview here
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