Video: TV Guide Interview with Candice Accola

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Photos: Evan Rachel Wood on the set of her film “A Case of You”

Source – Zimbio

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Photos+Interview with Joe Manganiello in Out Magazine

In an interview with Out Magazine, True Blood star Joe Manganiello talks about the television series, his character Alcide, and his latest film “Magic Mike.”

Manganiello marked his territory in the public consciousness as the werewolf Alcide on HBO’s soft-core Goth horror soap, True Blood. With his brooding romance-novel looks, he became an instant sex symbol when he debuted in 2010 (he has since signed on for five more seasons). The fact that he sheds his clothes to transform into lupine form doesn’t hurt matters. Manganiello views this as pragmatism rather than an extension of creator Alan Ball’s gay sensibility. “As far as the butt cheek stuff goes,” he says, “it just makes sense. It’s not gratuitous; it’s realistic. If you’re a werewolf and you transform, you lose everything and there are your butt cheeks. The show is a deconstruction of supernatural creatures. It’s not like other werewolf projects, where you magically reappear with tiny jean shorts on.”

With Magic Mike, Manganiello will wear less material than those aforementioned Daisy Dukes. Slated for a June release, the film is based upon costar Channing Tatum‘s pre-Hollywood career as a Tampa, Fla., erotic dancer (Tatum also co-produced the film). Rounding out the cast are warhorse stallion Matthew McConaughey and It-boy hunks du jour Alex Pettyfer and Matt Bomer.

Manganiello plays Big Dick Richie. He demurs when asked if he stuffed his G-string to fill out the challenging sobriquet. “Um, I’ll let everybody see the movie and they can decide,” he says sheepishly. He insists that no waxing was involved, however. “I don’t have any body hair,” he explains. “It stops at my neck. I’m part Sicilian and Armenian.”

The strippers in Magic Mike are more the types that shake it Chippendales-style for bachelorettes than gyrating go-go boys at your local gay watering hole. “This is Chan’s experience,” Manganiello says of the homoerotic, yet hetero-themed, flick.

Manganiello interviewed a former male stripper to research the era. “All the guys he worked with were dead or in rehab,” he says, “but it was the time of his life — this insanely destructive lifestyle, this club life. It was sex, drugs, and rock ‘n’ roll… and getting paid to take your clothes off and have sex.”

Manganiello promises Magic Mike will incorporate all of the complexities of the grind. “There are a lot of drugs, the overdosing, the depraved lifestyle,” he says. “But on the other side, it’s hilarious.”

True Blood was Manganiello’s big break, but after his first season, he was broke. He spent all of his earnings on a personal trainer (the same one who whipped Hugh Jackman into Wolverine shape) to transform him into an athletic dynamo.

“I like working hard,” he says. “It’s my letter of gratitude to Alan Ball for giving me this opportunity. Vampires are animated corpses. They can get away with not looking like they go to a gym. I’m a wild animal — that’s how I should look.”

Read more of the interview here and check out the photos below.

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Video: Being Human (US) Episode 207 “The Ties That Blind” Sneak Peek

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Collider Interview with “Abraham Lincoln Vampire Hunter” director Timur Bekmambetov and star Benjamin Walker

Here’s the time index/transcript followed by the interview:

  • 0:23 – Benjamin Walker:“ What’s great about it – and the fact that it is this kind of movie – is we can re-examine Abraham Lincoln as a human being. He’s an idol, we put him on a pedestal and see him as a a sacred figure, and we kind of distant ourselves from him.”
  • 1:00 – Timur Bekmambetov : “For me it’s a person who can take responsibility to make a decision because we live in a world where everything’s kind of  gray. There’s no black and white.”
  • 1:30 – Benjamin Walker: Re: Slavery “But at the time half the country would disagree with you. It’s important to look at how complicated it was for him to make that decision”
  • 2:16 – Benjamin Walker:  “I imagine there will be some people who are skeptical, and I would say give us a shot, because the landscape of of movies where we have a bunch of reboots and sequels, franchises and toy movies, we’re doing something new.”
  • 2:43 – Timur Bekmambetov : “Its’ not a trailer, it’s a teaser. Let’s wait for the trailer.”

Watch the video below

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“The Vampire Diaries” Dave Perkal talks about capturing the speeds of the vampires

In an interview with Onscreen Asia, cinematographer Dave Perkal talks about capturing the super speeds of the vampires in the CW Network television seriesThe Vampire Diaries.”

“Our show is a bit different from your normal television episodic,” Perkal notes. “We opt for the more cinematic approach in our visual dialectic. We strive for big screen wide cinematic masters, the kind that evoke a gothic renaissance painterly style and juxtapose those with crushing 290mm close ups. There is no middle ground. The perspective is also very voyeuristic, moving through the foreground and creating off-axis shots to keep you wanting to see more. We move characters in and out of darkness to create mystery and suspense. What you see is as important as what you don’t see.”

To do this, Perkal shoots with a camera package that includes three Alexas, two Angenieux 12:1s and a set of Master Primes. “And, two OConnor 2575s,” he adds. “Our Alexa camera with the Angenieux 12:1 and accessories weighs close to 80 pounds. The OConnor balances the load and delivers the precision and subtle smooth feel I’ve come to expect.

“We often use the OConnor heads to vamp move our actors with blistering whip pan speed,” he adds. “We look straight down into the sets and then whip pan high up into the corners. There are also times when we need to be at 290mm and have the precision and control of a gear head but maintain the versatility and freedom of a fluid head. OConnor gives that to me every time.”

Read more of the article here

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